So Adobe perhaps haven't yet seen AE as a correction and mastering package, expecting you to do such things in PP. For instance, Premiere has had the three-way corrector for a while, and AE didn't have anything like that natively until Color Finesse started being bundled with it. Having said that, I can see that the other reason for AE not having monitoring is that it's only recently that it became better at correction and grading (at least IMO) than Premiere. You may use Previews only up to the softwares expiration date (if any) and so long as you comply with these license. ![]() However I can see that there's no explicit reason there for Adobe to not give you other monitoring options to better use third-party stuff. So I suspect that's why Adobe haven't bothered with native monitoring, since it does seem they expect you to use CF3 as a fairly fully-fledged solution. In fact it's one of the reasons I'm not such a fan of Colorista 2. ![]() This solution replaces traditional hardware waveforms, vectorscopes, preview monitors and direct-to-disk recording tools. I use the bundled Color Finesse plugin almost exclusively for any colour correction and grading, which includes all manner of waveforms and vectorscopes. Divergent Media has announced the immediate availability of ScopeBox, the first suite of Mac-based image monitoring, capture and analysis software for video production and post production.
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